Chen
style Tai Chi Chuan and Chen Wangting
Apart
from stories and legends, serious historians tell us that the real,
well-documented origins of tai chi chuan are to be found in Chenjiagou
Village, Honan Province, Central China, very close to the Shaolin
Temple, amongst the members of the Chen family, in their tradition
and, of course, their manuals.
In
the seventeenth century, Chen Wangting of the Chen clan, a general
and garrison commander, developed a highly effective combat form by
assimilating aspects of various Shaolin Temple hard fighting styles
and combining them with the philosophy of I Ching – the laws and theory
of yin and yang and the five elements, their interaction, interdependency
and transmutation – and the chi kung theory of the use of special
breathing techniques and the circulation and manipulation of vital
energy (chi).
So,
every movement in these newly created forms followed and reflected
a clear distinction between yin and yang, emptiness and solidity,
openness and compactness, expansion and contraction, dynamics and
stillness, raising and lowering, left and right, in and out…
Most
of the techniques were performed in a slow, continuous and flowing
manner with occasional energy ‘outbursts’ through vigorous and fast
kicks, punches, jumps and stomps, still retained only in the Chen
style of tai chi chuan.
In
the course of time, due to the different ideas, understanding and
motives of the tai chi chuan masters, the original forms and individual
techniques underwent a range of transformations and variations, in
aspects such as speed, posture and rhythm. Even the number of movements
has been increased or reduced (13, 72, 108, 74, 38 and so on). The
original forms have evolved into today’s 5 major styles:
Chen
style
Yang style
Wu style
Wuu or Hao style and
Sun style
All
of these styles, however, are based on the same Yin-Yang theory and
principles, which direct, rule and balance the flow of the vital force,
as well as other types of energies, within the human body.
Sifu
Chen Xiaowang
Since
I started training with Sifu Chen Xiaowang in 1991, I have seen him
hundreds of times teaching classes, and not once could I find fault
with either his technical mastery or his personal attitude. If you
had a chance to train with him or even to attend one of the workshops
he conducts all over the world, you’d have a perfect illustration
of what working with a master means. His skill is unmatched, especially
in positioning, adjusting and aligning students’ posture, not just
in the basic Zhan Zhuang stance, but in every single technique of
the forms, both externally and internally.
SHIFU
DAMIR TENODI "38 FORM"
SIFU
CHEN XIAOWANG AND SHIFU DAMIR TENODI, PRACTICE AT SIFU CHEN XIAOWANG'S
HOME, SYDNEY 2001
SIFU
CHEN XIAOWANG, A SHOULDER STROKE, SYDNEY, 1991
SWORD
FORM PRACTICE WITH SIFU CHEN XIAOWANG, SYDNEY, NORTHERN BEACHES, 1999
SHIFU
DAMIR TENODI AT THE CHEN TAI CHI CHUAN DEMO, 1991
SHIFU
CHEN XIAOWANG, VESNA AND DAMIR TENODI, AFTER THE SWORD FORM PRACTICE,
1999
SIFU
CHEN XIAOWANG STANDING ON ONE LEG EFFORTLESSLY WITHSTANDS SHIFU DAMIR'S
HARD PUSH, 1997
SIFU
CHEN XIAOWANGS POLE ALWAYS APPEARS TO BE LONGER...
SHIFU
CHEN XIAOWANG, VESNA AND DAMIR TENODI, DINNER WITH ALL KUNG FU AND
TAI CHI STYLES DEMO, SYDNEY
SIFU
CHEN XIAOWANG ADJUSTING SHIFU DAMIR'S REELING SILK POSTURE
SIFU
CHEN XIAOWANG: "WHAT ABOUT THIS DAMIR..."
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